The Instruments

          Acoustic music is the most difficult music.  Building musical instruments from the ground up is an expression of freedom and, therefore, an expression of imagination.  Nothing about this art is hewn in stone.  The creative builder examines all aspects of musical instrument construction, and on a case-by-case basis decides which traditions to keep, and which to throw out.
 

          I build because the tunings and timbres I want to hear do not exist on store shelves.  Robinson Crusoe built because he had no choice.  And yet, his creations also had no critics, and so his imagination became his life.  Often when I hike through forests or climb mountains, I am reminded that only man knows what time it is.  When I enter Crusoe’s world, or when in building an instrument time ceases to exist, I live with the knowledge that success is only a function of thought, work, and patience.
 

          The desire for perfection is the juggernaut of creativity.  All my instruments are flawed.  A bar may not ring as long as another bar; a canon bridge may be too high or too low; or a tone hole may be too wide or too narrow.  I know where all the flaws are, and could find many more.  But what is the point?  The only thing that matters is to build and to make a music that is sustainable in time.  I was born a musician, and have built musical instruments since 1975.  In the words of Walt Whitman (1819–1892), “I . . . begin, hoping to cease not till death.”
 

          I also hope that these instruments will inspire others to think critically about acoustic music, and perhaps to build an original instrument or two.  One of the happiest moments of my life is to finish a project, step back, and declare in a state of complete surprise, “I’d like to meet the person who built this instrument.”

 

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          The Instruments are not for sale, and I do not accept commissions to build instruments.
-Cris Forster 
 

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Cris Forster with Chrysalis (1981)

Photo by Norman Seeff

 

 

 

 

We are pleased to announce the release of our
30th anniversary documentary:
 

A VOYAGE IN MUSIC.

A film by Eli Noyes and Heidi Forster.


 

          This film is a retrospective of Cris Forster’s work over the past thirty years.  It presents an overview of the creative life of this prolific musical instrument builder, writer, composer, and performer, and features insightful interviews with Mr. Forster and Chrysalis Ensemble musicians.  The documentary also includes detailed chapters on all seven unique instruments with performance excerpts, descriptions of all the music he has composed to date, and a discussion of his book, Musical Mathematics.  The film is a lively mix of history, theory, philosophy, and thoughtful commentary on the field of acoustic music.

          The Chrysalis Foundation is proud to support the work of this modern musical master.  We will use A Voyage in Music as an educational tool and for audience development.  This documentary substantiates the importance of raising funds to support the self-publication of Musical Mathematics and the production of Ellis Island/Angel Island: A Vision of the American Immigrants, Mr. Forster’s current work-in-progress.

          A Voyage in Music runs one hour.  In addition, it includes another hour with full performances of eight pieces and a slideshow.

 

 

 

 

 

 

 

 

 

A Voyage in Music, a film by Eli Noyes and Heidi Forster.

 

DVD: $10.00.

 

Shipping and handling (in the U.S.): $5.00.

Please send your order and check to:
 

 

The Chrysalis Foundation
1459 18th Street, PMB #137
San Francisco, California 94107

 


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Dear Reader,

 

          Since July 2002, more than 250,000 visitors have logged on to www.chrysalis-foundation.org.  Your interest has encouraged us to plan a self-publication of Cris Forster's manuscript Musical Mathematics: A Practice in the Mathematics of Tuning Instruments and Analyzing Scales.  To accomplish this task, we will be applying to organizations and individuals for grants.  Our goal is to publish a complete and unabridged first edition of 500 copies, with a retail cost of $90.00 per book.  If you would like more information on Mr. Forster's 1300-page manuscript, please visit our Musical Mathematics page, which shows the Table of Contents of this work. 

 

          If you would like to see Musical Mathematics in print, please write to us so that we may include your emails and letters in our grant applications.  Kindly let us know whether you are a musician, student, teacher, professor, instrument builder, etc., and indicate any institutional affiliations you may have.  Your name and email address will only appear in confidential grant applications.  We will honor anyone's wish to remain anonymous.

 

Please send your email to:

 

info@chrysalis-foundation.org

 

or send your letter to:

 

The Chrysalis Foundation

1459 18th Street, PMB #137

San Francisco, CA 94107

 

          Thank you for your interest and support of the Chrysalis Foundation book publication project.

 

The Board of Directors